The talented musician, one half of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of synth-pop.
He subsequently founded the innovative techno group The Grid, who secured chart success with their 1994 single Swamp Thing.
Ball died calmly in his sleep at his home in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.
Recent Health Challenges
During that performance, Ball appeared in a mobility chair, as he had for the last two years, following a spate of health issues.
"I managed to damage myself significantly," he commented in a recent interview. "I broke lower vertebrae in my back and cracked about five ribs and broke my arm."
After catching a lung infection and developing blood poisoning, he was placed in an induced coma and remained in the hospital for seven months.
Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called Danceteria, which is scheduled for publication in the coming year.
"He was concentrated and so happy with the new album that we literally completed only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a masterpiece."
Tributes
Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.
"Many thanks Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."
Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".
"Forming a duo with someone is different from being in a band, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, extraordinary, memorable experiences together. Thank you, Dave."
Formative Years
Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months old.
He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, alongside his younger sister his sister, who was similarly welcomed.
He encountered Almond at an art college in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.
Musical Partnership
The pair were an distinctive pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and makeup; but they attained a rare creative synergy.
Ball had developed a interest with electronic instruments after viewing Kraftwerk appear on BBC program a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was composing.
Their signature song became the United Kingdom's second most popular single of the early 80s, selling millions of units worldwide. Alongside hits by other artists, Human League and Ultravox, it helped paved the path for the electronic music style of the 1980s.
The song was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the separate release, Torch, which reached at number two in the following year.
Professional Journey
Success had its upsides. "I enjoyed being able to afford my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.
But it also presented challenges. "Sudden riches meant we could afford substances to alleviate the monotony" of media interviews and television shows, Ball explained.
"I know that's a common saying, but it's a cliché for a good reason, because it works for so many musicians."
Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.
They put out another LP, 1984's This Last Night In Sodom, before ending the group to focus on other projects.
Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting partnership.
Reunions and Final Projects
Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.
After another hiatus, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.
Yet, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.
Ball recently described the band's new album as a tribute to the New York club scene they frequented while recording their initial records.
He added that his time in medical care had influenced the band's sound.
"I experienced unusual memories when I was in and out of hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."
The final mixes were completed only days before Ball died. It is scheduled for release in Spring 2026.