Helmed by Bristol sound co-founder the musician-producer, this scabrous if undernourished first film casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in UK and Irish theaters from November 17.
